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Douglas sometimes says that all the States (and it is part of this same proposition I have been discussing) that have become free have become so upon his "great principle"; that the State of Illinois itself came into the Union as a slave State, and that the people, upon the "great principle" of popular sovereignty, have since made it a free State. Maimie stamped her foot naughtily, xnx mia khalifa knld was putting her fingers to her eyes, when she heard a kind voice say, "Don't cry, pretty human, don't cry," and then she turned round and saw a beautiful little naked boy regarding her wistfully., .
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FORT MONROE, VIRGINIA, May 9, 1862 MAJOR-GENERAL McCLELLAN: MY DEAR SIR:--I have just assisted the Secretary of War in framing part of a despatch to you relating to army corps, which despatch, of course, will have reached you long before this will. In many parts of the New World this xnx mia khalifa knld was accompanied by another depravity of taste--confirmed cannibalism., .
Original Operation |
Recurrence Rate, % |
Postgastrectomy Syndrome Rate, % |
Mortality Rate, % |
Proximal gastric vagotomy |
10 |
5 |
0.1 |
Truncal vagotomy and drainage |
7 |
20-30 |
lt; 1 |
Truncal vagotomy and antrectomy Billroth I or Billroth II |
1 |
30-50 |
0-5 |
Truncal vagotomy and antrectomy Roux-en-Y |
5-10 |
50-60 |
0-5 |
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PGKPM
@Pgkpm1
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Jan 22 |
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| The cosy semi-rural world of the Tudoresque villa was rudely shattered by a challenge from the aggressive, uncompromising Modern Movement. This was a European reaction to traditional styles which emerged in the 1920s, led by architects such as Le Corbusier (1887-1965), Walter Gropius (1883-1969) and Ludwig Mies van der Rohe, (1886-1969). They rejected historical styles and any architectural decoration or whimsy. Ornament of any kind was to be banished as architecture searched for a purity and simplicity of design based on sheer functionalism. In achieving this traditional building techniques were abandoned in favour of reinforced concrete which enabled the architect to break all conventions of design. Cantilevered upper floors, large picture windows and flat roofs and the whole finished in stark white were the hall marks of the movement. | |
| Some striking houses were built in the style – such as ‘High and Over’ (right) in Amersham, Buckinghamshire, designed by the New Zealand architect, Amyas Connell (1901-80). Completed in 1929 and followed by several similar houses, ‘High and Over’ received critical acclaim from within the architectural profession but never caught the popular imagination. |
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| The Modern Movement never suited the British psyche – or the weather: it was seen as too impersonal and large areas of glass were either to hot or too cold for the English climate. Nevertheless, a few middle class apartment blocks around greater London were built in the Modern Style and some elements were applied to houses of conventional construction. To John Betjeman these were not ‘modern’, only ‘jazz’, with their flat, green tiled roofs, white rendered walls and wide metal windows which curved around corners (right). These, the so called ‘suntrap’ windows have given their name to this distinctive house type. The Suntrap house, however, never represented more than a minor footnote in the history of thirties suburbia, always something of a curiosity and ultimately, signifying the failure of the Modern Movement to win widespread acceptance before 1939. |
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