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Pierce Funeral HomeVilla Heer( September 20, 1925 - February 26, 2018 )
Villa Lee (Smith) Heer, daughter of Eva (Chamberlain) Bowers and step daughter of Homer Bowers, died suddenly Mon., Feb. 26, 2018 at The Commons Nursing Home, Enid. Villa was born in her grandparents' farmhouse, John and Della Maycumber, southeast of Fairview, OK September 20, 1925. At age 7 she played on the outdoor platform dance at Apple Grove while Mearl Heer (age 13) played banjo. 10 years later Villa and Mearl married, making their home in Longdale.
Villa was best known for her friendly greeting smile at the door of Mearl's dances for over 64 years in OK, TX, CO, and KS. During her working years she was a skilled seamstress, sales clerk (Colorado), waitress, and manager of the Red and White Grocery in Longdale. Villa was active in Lions, Lioness Clubs, Longdale Country Op'ra, and Longdale Community Church in the years before suffering from arthritis. She enjoyed flower gardening, reading, crocheting, gathering with friends, and country music. When they lived in Salida, Colorado (1954-1980) their home was a revolving door of summer vacationers and big game hunters from Oklahoma. Villa kept the food stocked and the coffee perking for their loved ones. Survivors are her daughter, Sharon Heer, Longdale; and grandson, Sandown Murrah, Fairview; nieces, nephews and friends. She was preceded in death by her husband, Mearl (2006); parents, Eva and Homer Bowers; and son-in-law, G. Myke Murrah. Funeral services will be held 10:30 a.m., Saturday, March 3, 2018 at the Longdale School Gymnasium with Pastor Mark Dirks officiating. Interment will follow in Longdale Cemetery under the direction of Pierce Funeral Home, Fairview. Memorials may be made to Longdale Country Op'ra or Longdale Cemetery through Pierce Funeral Home, P. O. Box 15, Fairview, OK 73737. Condolences may be made online at www.piercefuneralhomes.com. |
The range of styles available to the Victorian architect helped underline the separateness and individuality of the larger Victorian house. From the 1830s, Gothic emerged as the greatest challenge to the dominance of Classical styles. Through the influence of Pugin whose ‘True Principles of Gothic Architecture’ was published in 1841, a more serious and analytical approach to the use of medieval Gothic architecture emerged. Then in 1851-3, the art critic, John Ruskin, published ‘The Stones of Venice’. This became a key text for the High Victorian Gothic of the middle decades of the century and through Ruskin’s influence elements of the Italian Gothic including pointed arched window surrounds, elaborate polychrome brickwork and carved stone decoration, was brought into the leafy suburbs of Victorian Britain. Italian architecture of the sixteenth century was another style which was widely used for large suburban houses in the middle of the century. It had its roots in Regency architecture when Nash had experimented with a semi rustic Italianate villa style and was further developed and popularised in the 1830s by Sir Charles Barry who drew heavily on the buildings of the Italian Renaissance. Osborne House, on the Isle of Wight, designed by Cubitt, for Queen Victoria and Prince Albert and completed in 1851 was the grandest example and provided the inspiration for many large villas built in the 1850s and 1860s. Typical features included a square, ‘belvedere’ tower, deep projecting eaves, roof balustrades and round arched windows. Other styles found included the Northern European – typified by the use of the curved or Dutch gable – the French Baroque – which contributed the mansard roof - and Elizabethan and Jacobean which contributed features borrowed from the typical ‘Jacobethan’ large house, including towering chimneys, mullioned windows and four pointed arched front door ways. |
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